Wolf’s Belly by John August and Simon Estrada

Genre: Graphic Novel / Middle Grade
Pages: 320 pages
Published Date: July 7, 2026
Publisher: Macmillan Children’s Publishing Group | Roaring Brook Press
Series: N/A
Rating: 5 out of 5

I love fairy tales, especially stories that take familiar tales and twist them into something new and surprising, and Wolf’s Belly absolutely did not disappoint.

At first glance, this graphic novel seems like a retelling of Little Red Riding Hood, but it quickly becomes clear that the story is doing something much more creative. The main character, Lu, grows up in a remarkable family filled with famous adventurers, inventors, and talented siblings. Surrounded by people who all seem extraordinary, Lu feels painfully ordinary. She doesn’t even truly own the red cape she wears. It was passed down to her. Wanting desperately to be remembered, she decides she will accomplish something legendary: she will find and kill the terrible wolf everyone fears.

What follows is a clever and thoughtful exploration of pride, expectations, failure, and what it means to feel invisible in your own family. Lu carefully plans her hunt, gathers supplies, and sets off into the woods believing she will become the hero of the story.

One of the most imaginative aspects of Wolf’s Belly is the way it subtly weaves together threads from other familiar stories. As Lu moves through her journey, readers begin to notice echoes of other classic tales involving wolves. Figures and situations that recall “The Boy Who Cried Wolf” and “The Three Little Pigs” (or perhaps four pigs, depending on how precise you want to be with your folklore) quietly appear along the way. These moments give the sense that all of these stories might inhabit the same larger world, bound together by the myth and fear of the wolf itself. Attentive readers may even catch a brief nod to another well-known tale about a girl traveling a very famous road. An Easter egg that Wizards and Witches will particularly enjoy spotting.

The illustrations by Simón Estrada are stunning. The artwork is dark, atmospheric, and dramatic, perfectly capturing the eerie forests and mysterious dangers of the story. The bright red of Lu’s cape stands out against the darker backgrounds, visually reminding us of her desire to stand out and be noticed.

What makes Wolf’s Belly especially powerful, however, is the emotional truth that lies beneath the fairy-tale surface. Lu’s journey isn’t only about facing a monster in the woods; it reflects something deeply human. Many of us spend our lives chasing the one defining moment that will make us feel worthy or remembered. When we tie our identity too tightly to a dream, a goal, or the story we want to tell about ourselves, failure can feel consuming, as if we are devouring ourselves from the inside out. Wolf’s Belly quietly explores that tension, reminding readers that our value does not come from legendary accomplishments, but from the quieter qualities of courage, humility, and kindness.

For anyone who loves fairy tales, folklore, or graphic novels that play with classic stories in creative ways, Wolf’s Belly is a wonderful read. It honors the tradition of the original tales while weaving them together into something fresh, thoughtful, and visually beautiful.

As someone who loves fairy tales, I found this book to be a real delight, and I hope that the author and illustrator grace us with a sequel.

Thank you to NetGalley and Macmillan Children’s Publishing Group | Roaring Brook Press for providing an advance copy in exchange for an honest review.

 #WolfsBelly #NetGalley

Red and the Wolves by Cherry Zong

Genre: Graphic Novel / Young Adult
Pages: 368 pages
Published Date: January 13, 2026
Publisher: Andrews McMeel Publishing
Series: N/A
Rating: 4.5 out of 5

Red and the Wolves is a dark, atmospheric graphic novel that takes familiar fairy-tale touchstones and reshapes them into something far more expansive and unsettling. Rather than relying on nostalgia, the story builds a layered mythos filled with monsters, gods, guardians, and a forest that feels alive with rot, magic, and long-buried secrets.


What stood out most for me was the worldbuilding. The lore unfolds gradually and trusts the reader to sit with uncertainty before everything clicks into place, and that patience pays off. The forest feels isolated and ancient, populated by creatures that are both strange and emotionally resonant. The absence of humanity gives the story an almost mythic loneliness, making every relationship, especially between Red and Sil, feel heightened and meaningful. The art is a major strength. It shifts seamlessly between expressive, simplified moments and darker, more detailed scenes, using visual language to convey emotion just as much as plot. Creature designs are particularly memorable, and the wolves, both central and secondary, add depth, tension, and occasional levity to the narrative.


The sapphic romance is handled with restraint. It grows quietly through shared moments, glances, and trust rather than grand declarations, which suits the tone of the story well. While it is not the narrative’s primary engine, it provides an emotional throughline that grounds the larger conflicts. I also appreciated the central twist, which I will not spoil here. While I did begin to suspect where the story was heading, the reveal still felt earned and satisfying. The groundwork is laid carefully enough that the payoff rewards attentive readers without feeling predictable or heavy-handed, and it deepens both the emotional stakes and the thematic core of the story.


If I had one reservation, it would be tonal consistency. At times, the dialogue feels younger than the themes suggest, which occasionally undercuts the weight of the story. That said, this feels less like a flaw and more like an area of growth, especially considering this is a debut. The ending deserves particular praise. Endings are difficult, especially in richly built fantasy worlds, but this one feels earned and satisfying, bringing both the emotional and mythological arcs to a close without overstaying its welcome.


Overall, Red and the Wolves is an impressive debut. It is visually striking, emotionally grounded, and confident in its storytelling. It works best when approached not as a strict retelling, but as an original dark fantasy that happens to echo a familiar tale. I am very interested to see where Cherry Zong goes next.

Thank you to NetGalley and Andrews McMeel Publishing | Feiwel & Friends for providing an advance copy in exchange for an honest review.

 #RedandtheWolves #NetGalley